PARASITE – a new musical experiment coming soon!
commissioned by City Wolfsburg for Aalto 50 festival, 2012.
A play for two harpists. For Saara Rautio & Suvadeep Das. Written on the occasion of Fake Finn Festival of experimental live a
Luc Ferrar’s Presque Rien (No. 1)1970 is revisited and “interpreted” newly as an experimental site&time-specific LIVE radio performance work.
Written for Artists’ Orchestra of Finland to support all immigrant artists in Finland.
Experimental sound performance for Harakka island
composed for the Biennale Festival 2010 (April 22 – 25) compilation CD.
Experimental hemispherical surround sound composition with new colored noises for the Blue Cube at ZKM.
written for the RANK Ensemble 2009 is an experimental sound sketch of Japanese rock garden.
Live composition for white noise. Commissioned by Irresistible District Festival 2009
First performance at 3dB festival Budapest. May 7, 2009
Try to install the hearing aids to your ears (refer to the instruction) and walk around.
The audio CD that lists 55 tracks of digital silence (=absolute nothing).
My voice saying “digital music” recorded and printed on CD, then scanned a part of it (960 shots out of 47000) by an electron microscope by magnifications of 5000 times.
A FLASH game with a wireless gamepad controller
Welcome to the concert ! Free Entry
for solo acoustic guitar. Written for Topias Tiheäsalo
for six pianists with a disklavier + 6 PC gamepads
For solo soprano sax. Written for Dror Feiler.
Live composition written for 100 x duo series
An experimental work written for Helsinki Computer Orchestra 2003
Should be played using underwater ultrasonic loudspeakers
for unsuccessful arrival and loss of QuickTime streaming packets
for remotely located string trio by means of streaming technology
for electric string trio. Live sound installation
Concert version (Originally written for contemporary dance1996).
for a viola, a sampler and sound installation with experimental lighting. Commissioned by CARTES
Written for string quartet as live installation work. 1992
written for Piccolo, Steel String Guitar, Violin and Sampler 1990
for 3 video Walkmans 1989
Written for three SHOs (Japanese ancient mouth organ). 1988
For Chamber Orchestra, based on a decoded ancient Greek song, Seikilos epitaph by means of Gagaku methodology 1988.
For 8 players with 8 instruments that are categorized according to ancient Chinese classification of the instruments. 1987
Music for nine strings. 1980
For string orchestra with 144 strings 1979
for communication between a blind boy and a deaf girl by means of video and tape 1979.
A large sound sculpture 1976
Listing up all the incidental music compositions
